What’s vintage, natural, great for the environmental surroundings, and enjoyable to hear? If you solved wooden records, you gain the prize. While lasers and the release of the compact disc mainly killed the plastic record, a creative computer software manufacture, Amanda Ghassaei, has resurrected the lowly album using timber and a laser cutter.
The effect is a surprisingly beautiful platter with the familiar shape and round ridges available on plastic albums. The grain of the timber adds a natural quality, elevating the disc to a subject dear.
Since chopping into timber, despite having an advanced laser cutter, is less precise than chopping into plastic – at least with the engineering employed by the manufacture – the ridges of the wooden album are about doubly large as these on a standard plastic album.
Ghassaei formerly applied a 3D printer to try out different ways to enjoy audio, but ultimately realized that many people do not have access to high-priced 3D printers. In comparison, CNC laser cutters tend to be more accessible. Ghassaei began by tearing audio information from a WAV file and then running it with a script she created for the purpose. vinyl cutting software
As the laser-cut wooden record represents audio just like their plastic siblings, the noise quality is poor. A movie posted on Vimeo reveals the record in action, enabling you to see and hear it in all its glory. The large ridges are considered to result in distorted sound. However, despite awful noise quality, pushing your own wooden records has its charm. Not just is that strategy special and enjoyable, it will take audio from the airwaves and brings it back to Earth. If you’re enthusiastic about chopping your own wooden albums with a laser cutter, Ghassaei has posted her recommendations online.
If you intend to create a wooden record with a laser cutter, you should use Ghassaei’s script, which is available on her behalf website as a downloadable PDF vector file, as a guide. The script could be modified to support different laser cutters, resources, sizes, and turntable speeds. When you’ve saved and modified the script as well as found your resources and laser cutter, the laser cutter employs the vector file as a sample and pieces the grooves.
Nevertheless unrealistic and low-fi, Ghassaei’s wooden albums really are a throwback to a simpler time. A period when friends could collect together to hear an album. A period when hearing audio also had a tactile factor that could influence the audio for better and for worse. Those that needed remarkable treatment of their albums liked an excellent listening experience while those that didn’t endure scratches and skips. By dragging audio from the airwaves and 4G networks and actually chopping it onto a wooden disc, Ghassaei has built audio tangible, and probably sociable, when again. By sharing her process and script, she has made it easy for anyone who desires a simpler time to produce their own wooden albums. While you may or may not recapture your missing youth, you’ll absolutely end up with a conversation starter.